Showing posts with label Zbrush. Show all posts
Showing posts with label Zbrush. Show all posts
Managed to put in some solid time over the past couple weeks to finish this one off. I'm actually really happy with how this one turned out. I definitely feel I've improved a lot in a few areas. Always learning though, never 100% satisfied, but great to call another image done.

Workflow
Sculpting and poly-painting in Zbrush, modelling, shaders in 3dsmax and rendered in Vray. Post production in Photoshop

Things I like
I think the number one thing I like most about this project is the rendering and lighting. I went for a brighter image and used HDRI image based lighting. Definitely helped add some life to the character. My Zbrush to 3ds Max workflow is much smoother now, especially in the areas of normal maps and displacement.

Things I Dislike
Some of the smaller objects shaders and textures are not very polished, I also don't particularly like the glass shader used on the windows, I think that could have been improved. I also had issues with 3ds max hair and fur and had to resort to straight fibermesh export for the beard, but I actually think it looks ok.

Things I Learnt
Lighting would be the number one area I feel I improved. Also the SSS skin shader is also the best one I have done yet!.

Next i'm going to do some more low-poly art and work on a Unity project for a while. No doubt another character render will be on the cards at some stage.

Heres the final image.



Slowly found some time to work for on my Gnome character. I had some instability issues with Zbrush when I was trying to apply various surface noise on the hat, so I ended up going with texture based bump and displacement.

I'm now about 1/4 the way through the texturing and shaders so hopefully another update really soon.


The idea for my next image came to me from a few different points of inspiration. One part came from the mother of one of my step-daughters friends bought us a small hairy gnome ornament, it intrigued me as it had a lot of hair and a beard and its hat covered its eyes. Another part of inspiration came from chatting to some mates at the pub who were talking about living in a giant hat..all very bizarre I know! Ultimately the idea was born, I wanted to create an interesting gnome character that had a village or house in his large hat! Lets see how it turns out.

Heres a couple of WIP screens.

Building a base mesh in Zbrush.




Creating some clothes in 3ds Max.


I've been working on and off on this character for quite a number of months. I've called it done on 31st December 2014.

I feel like i'm always saying i've 'learnt a lot' doing this project. But I really have learnt a lot! From sharping up the displacement workflow, to experimenting a lot more with shaders and Vray render settings. So ultimately I think I've improved in a number of areas, but still so much more to learn and try.

I'm going to try something new to accompany my completed images, a small summary of things I've points I like, points I dislike and things I have learnt.

I'm next project will be something a little less intense and hopefully a bit more 'fun loving'. Keen to spend some time sculpting in Zbrush again!

Things I like

I'm happy with my displacement workflow this time around and I feel I can now get decent quality displacement maps out of Zbrush and rendered in 3DS Max Vray

I'm also happy with some of the shader work in the this project. Especially spent a lot of time working with the SSS2 shader for the skin.

Things I Dislike

Hair! Hair was definitely a challenge and I spent a lot of time testing different work flows for hair. In this project I settled with a mix of 3ds Max Hair & Fur modifier and also exported Zbrush Fibermesh.

The character also has very little hair because I was not happy with any other hair styles I came up with.

I also had trouble with post production again and still couldn't get multiple render elements to work as layers in Photoshop or After Effects. I also find that by that stage of a project i'm usually ready to move on. I'll need to do some more research in this area.

Things I Learnt

I learnt a lot about Vray in this project and many different render settings and parameters and how they effect the final look. I also spent a lot more time playing with shaders and textures.




Here are 3 viking speed sculpts I did about a month ago. The object and the current project I'm working on is taking one of these concepts and re-topo to a game suitable model, something fairly low-poly..under 5k polys. The hand painting the textures, I'm also doing a lot more tradition drawing lately, anything to help strengthen my art skills.

Here the viking concepts.


I finished my latest image about 2 weeks ago. The total process for this one was definitely longer, especially since I tried out a few sculpts first to find a direction I wanted to follow. Was a fun project to work on and I learnt alot about vray and shaders in the one..

Some more low poly stuff is next in line.

Heres the final render.


I've finished my 'thumbnails' for my latest zbrush project. I do like the idea behind 'thumbnails' and it definitely helps with the create process in the early stages and helps lock down a more solid design base. Following the instruction from my Bryan Wynia video, he used photoshop to extend the thumbnails, which I have also done, but I feel my sculpting is a lot stronger than my drawing.. I also didn't do as many, only 4 in this instance.

I've decided to go with number 1 below.


Hey all, so i'm back in Zbrush after a bit of a break playing with Unity.
I've been following some tutorial videos on CGSociety by Byran Wynia.  He uses an interesting concept called 'Thumb Nailing' which basically involves speed sculpting three ideas in Zbrush then using photoshop to paint over so you ultimately are left with 20 or so thumb nail images of potential designs. I really like this idea and I hope I can come up with some cool concepts.

I'm going with the idea of an 'Alien host' I want to make something really confronting and shocking. So far I've completed 2 sculpts and I'm excited to do the third.

Heres a quick look at the speed sculpts so far!





I finally completed my goblin prison warden scene. This final render was constructed with Zbrush, 3DS Max, rendered with Vray and post processing in After Effects and Photoshop. The last few stages were a little bit rushed but I'm pretty happy with the final image. Full sized image here



Things are coming along quite nicely on this project, I've learnt SO much!! This test render actually marks quite a turning point in my creative development.
I have now ironed out my Zbrush to 3DS Max workflow. Displacement with Vray works really well if the settings are perfect!
I'll be sure to added some detailed information under the Learning section of this blog relating to displacement once i've finished this project.
So the scene and all the modelling is done! (minus) the eyes for my character.
From here i'll be experimenting further with rendering in Vray and moving onto textures and materials!

Still plugging away at my goblin prison project. I've now pretty much completed most of my Zbrush work for this phase and I'm happy to say I've finally bedded down my workflow of Zbrush to 3dsmax! This has taken a lot of time, experimenting reading etc, but I now have a method that can get great results in Vray for 3dsmax! Looking forward to some great renders!

As a side note I've read a lot of tutorials and posts stating that Zbrushs UV workflow doesn't yield good results, especially when using displacement maps. I must say I don't agree. At least in this project using UV master or even the AUVTiles has worked nicely, even with poly painted textures. Still, having said that, if you are painting textures in 2D say in photoshop then you'll need better UV layouts than the ones Zbrush generates.

So to show off my new workflow, here is some quick Vray renders of the goblins accessories, all using displacement maps on low poly meshes and also using poly painted textures.

Dagger in Sheath


Pants and Belt


Leather Shawl 


Leather Cap


Bone Pendant 


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